Oil painting on primed card 6x4”
The shiny red skin of this apple makes it an irresistible subject to paint - however high chroma objects like this are quite difficult to render. It’s impossible to match the chroma in the lighter values, so I add in a little cadmium yellow medium which takes the hue around towards orange but keeps the chroma quite high. The values in the mid tones and lights are pretty compressed as well. I’d love to hear from other artists how they get around the high value, high chroma problem in their paintings.
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Oil painting on panel 6x3" I haven't managed any painting for nearly a week now. Both my children were ill with the flu so I couldn't find any time at all. Felt pretty rusty this evening trying to get back into it! Here's a little drawing I did of my daughters while they were sleeping on the sofa. I hope to get back to normal with a painting every day from now on. Original oil painting on mdf panel 8x8" I was torn this morning between painting the daffodils again as they had opened, or heading outside to paint the heavy frost, but it was such a beautiful morning it seemed a waste to spend it painting indoors so I quickly packed up and walked down to Orleans Gardens.
Painting the frost was the hardest thing yet - squinting into that bright sunlight as it bounced of the ground was almost impossible. I found it difficult to judge the relationships between the values. Also I didn't reserve enough space for the white on my palette and it became hard to find any clean white to add the highlights. This meant I had to finish the painting off at home, but at least I remembered to put in the tree shadows at the start this time, so I've made some progress! I feel like the value relationships could do with a bit of adjustment, perhaps the greens in the foreground could be darker? Maybe Ill experiment with some glazes once its dry. I hope for some more frosty days to come so I can do some more studies outside. And I'm keeping my fingers crossed for snow tomorrow : ) Original oil painting on mdf panel 6x9" A few daffodils I selected from one of those £1 bunches that appear in supermarkets this time of year. I love the buds, and the shape of the buds when they are just opening. Tomorrow I may attempt the fully opened blooms. I love the bluish green foliage and the silky papery bits that fold back as the flower opens (they must have a name?)
Daffodils - love them : ) Original oil painting on mdf panel 8x8" First of all, let me tell you why I didn't post a painting yesterday. I did make a painting. Maybe it was the late night the night before, or maybe it was the fact that I only had one hour in which to paint, but I can honestly say that the painting was the most hideous, ugly, ill thought out and executed I have painted in many years!! Sometimes that happens.. I took great pleasure in scraping it off the panel so that I could no longer see it, and at least rescue the panel for another painting. I was chatting to an artist friend about it, and she told me that those paintings we hate are the best ones! I was taken aback at first, but what she meant was that we learn from our mistakes and failures make us try even harder next time. So today, I wanted to paint something a lot better. I got a bit over ambitious in fact and decided to paint the whole bunch of tulips before they wilted. There was no way I could complete it in a couple of hours, so I had to work on it some more in the afternoon. There are a couple of things I'm not quite happy with but I wont be scraping this one. Phew! Please excuse the fuzzy photograph, Ill upload a better one as soon as I get the chance. Original oil painting on primed card 6x3" Left it a little late to get started tonight and then my youngest woke up from a nightmare while I was in the middle of painting this clementine. Ended up being a late one!
Original oil painting on primed card 6x3" I'm sneaking a bit of summer into January with these strawberries.
Original oil painting on mdf panel 10x5" available from Newbloodart It felt a bit spring like this morning, and I felt inspired to paint some flowers. I bought a bunch of white tulips, but just painted this one as that's all I had time for. To paint flowers you have to work incredibly quickly as they change shape much more rapidly than you'd expect. I would have preferred to spend a bit longer, but by the time I'd picked up my daughter from nursery and come home, the leaf had wilted and the flower opened further, so I decided to leave it as it is. As I was painting I was listening to this video tutorial by Mark Carder, where he talks about learning to work quickly. He gives great advice - I highly recommend watching it. There are some process shots below. As usual, I was working from the back to the front and from the darks to the lights, saving the highlights right until the end. Original oil painting on mdf board 9x7" I wanted to see if I could bring some of the experience I've gained lately of working swiftly en plein air into painting a still life. I selected a 9x6" panel as this is what I've been working on a lot outdoors lately and set up a still life using some objects I have already painted to give myself a bit more of a chance. As usual I worked from the back of the set up to the front. You can see some progress shots in the slideshow below. I tried really hard to work as directly as I could, aiming to lay down each stroke with the right colour and leave it without any further adjustments or strokes over the top. I didn't manage this over very much of the painting, but I did find that my concentration and decision making had improved a lot. After 1.5 hours it was time to stop as I had to pick up my youngest daughter from nursery. Very frustrating as I was so nearly done. I'll finish off tomorrow as long as the light is ok.
Original oil painting on mdf panel 8x8" This is the first day I haven't quite managed to finish my painting. Its the largest panel I've attempted yet and it seems those extra few square inches were too much to cover in the hour long session I had this morning. Or maybe I was painting a little more slowly and carefully today as I tried to get the subtle changes in tone in the distant bank and trees. Either way I'll have to decide whether to take the painting out again and try to finish it on location - which would be a new experience for me- or to make up the foreground from memory and photo reference.
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About meI am a realist painter, working in oils, painting landscape and still life. Archives
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